肖申克经典台词【你怎么看？】

《肖申克的救赎》这部电影真的有人看懂了吗？你怎么看？

咱们国内一位导演在十几二十年前导演一部片子，其中有句台词是这么说的: 活下去，像动物一样活下去……！就这么简单

肖申克的救赎背景、经典台词、影评，要英文的，越详细越好，谢谢

For the novella, see Rita Hayworth and Shawshank Redemption.

The Shawshank Redemption

总的简介

The Shawshank Redemption is a 1994 American prison drama film, written and directed by Frank Darabont, based on the Stephen King novella, Rita Hayworth and Shawshank Redemption. The film stars Tim Robbins as Andrew "Andy" Dufresne and Morgan Freeman as Ellis Boyd "Red" Redding.

The film portrays Andy spending nearly two decades in Shawshank State Prison, a fictional penitentiary in Maine, and his friendship with Red, a fellow inmate. This movie exemplifies the potential gap between initial box office success and ultimate popularity. Despite a lukewarm box office reception that was barely enough to cover its budget, The Shawshank Redemption received favorable reviews from critics and has since enjoyed a remarkable life on cable television, home videotape, DVD and Blu-ray. It continues to be hailed by critics and audiences alike, 15 years after its initial release, and is ranked among the greatest films of all time.

以下是剧情：

In 1947, a banker named Andrew "Andy" Dufresne[1] is convicted of murdering his wife and her lover based on strong circumstantial evidence and is sentenced to two consecutive life sentences at Shawshank State Penitentiary in Maine. At the prison, inmate Ellis Boyd "Red" Redding is rejected for parole after having served twenty years of his life sentence shortly before Andy's arrival. Andy gradually becomes acquainted with Red's circle of friends, and Red himself, who is known for cleverly smuggling in contraband. After a month of adjusting to his new life, Andy approaches Red and asks him to get a rock hammer, intending to pursue a hobby of rock collecting. Red supplies the hammer for ten dollars, and later fulfills Andy's request for a poster of Rita Hayworth.

One day in 1949, while tarring the roof of Shawshank's license plate factory, Andy overhears the captain of the prison guards, Captain Hadley, bitterly complaining about the taxes he will have to pay on a forthcoming inheritance. Andy approaches Hadley with a solution that will allow him to keep the entire inheritance tax-free; though Hadley nearly throws Andy off the roof initially, Andy's willingness to set up the transaction for the cost of beer for the tarring crew wins Hadley's respect. Prior to this, Andy had frequently been beaten and sexually assaulted by a gang called "The Sisters", led by inmates Bogs and Rooster. After a particularly vicious beating at the hands of the Sisters lands Andy in the infirmary, Bogs returns to his cell from a week in solitary confinement to find Captain Hadley there. Hadley inflicts a brutal nightstick beating on Bogs, which leaves him paralyzed. Bogs is sent away to a state hospital, and the message to the Sisters is clear; Andy is never bothered again.

As other guards begin to come to him for financial help, Andy is given a makeshift office in the prison library to provide tax and financial services. His "clientele" grows to include the entire prison staff, guards from other prisons, and even Warden Norton himself. To keep Andy happy, the Warden provides him with a single cell and allows him to keep an unusual amount of contraband in his cell. Conspicuous amongst the contraband are Andy's posters of "fantasy girlies" - first Rita Hayworth, followed over time by Marilyn Monroe and then Raquel Welch. The Warden also permits Andy's letter-writing campaign on behalf of the prison library; through Andy's budgeting and purchasing activities, the library is expanded and remodeled into the "best prison library in New England". The Warden capitalizes on Andy's skills and devises a program to put prison inmates to work for local construction projects, exploiting the prisoners' free labor for his own personal profit, with Andy acting behind the scenes as a money launderer. Andy uses his knowledge of "the system" to create the false identity of Randall Stephens, which he uses as a straw man to hide the Warden's involvement.

In 1965, a young prisoner named Tommy Williams enters Shawshank on a breaking and entering charge, and quickly becomes part of Red's and Andy's group of friends, with Andy helping him to pass the GED test. He learns of Andy's supposed crime and makes a shocking revelation: Elmo Blatch, one of his old cellmates, had gleefully described murdering two people who fit the description of Andy's wife and her lover, and how her "hotshot banker" husband got blamed for it. Andy hopes that he will be able to get a new trial with Tommy's help, and he approaches Warden Norton for advice and assistance. Fearing exposure of his illegal activities at Shawshank should Andy be set free, Norton sends him to solitary confinement and conspires to have Hadley shoot Tommy as an escapee. After Norton informs Andy of Tommy's death, Andy tries to refuse to launder any more funds for Norton. However, when Norton threatens Andy with the loss of his private cell, the loss of his protection against the "Sodomites", and the destruction of his beloved library - complete with a book burning - Andy relents, by all appearances a beaten man.

When Andy is back in the prison yard, he tells Red that if he ever gets out of prison he should go to a specific hayfield near Buxton, Maine to find something that has been buried under a volcanic rock. The following morning, Andy is missing from his cell. In a fury over Andy's disappearance, the Warden throws one of Andy's rocks at the poster of Raquel Welch - and is stunned to see the rock tear through the poster, revealing a large hole that Andy had used to escape. In a flashback sequence, it is revealed that Andy spent years chipping away at the wall of his cell with his rock hammer, using the posters of Hayworth, Monroe and Welch to conceal it. After his escape, Andy assumes the identity of Randall Stephens and uses it to withdraw Warden Norton's laundered money - $370,000 worth (over $2.4 million in 2009 dollars). Cashier's checks in hand, Andy sends evidence of Norton's activities to a Portland newspaper. The morning the story runs, Byron Hadley is arrested and Warden Norton commits suicide in his office.

The next year, 1967, Red is finally released on parole after serving 40 years at Shawshank. Red is afraid of "the outside", dreading living in fear, worried that he would end up committing suicide once outside of the prison's strict regime, as fellow prisoner Brooks Hatlen had done. Coincidentally, he's given the same room and the same job Hatlen had. But instead of committing suicide, Red recalls his promise to Andy and heads to the field in Buxton that Andy told him about. He finds a small metal box containing money and a letter from Andy. In the letter, Andy reminds Red of Zihuatanejo before ending with a final message: "Hope is a good thing, maybe the best of things, and no good thing ever dies". Red then violates his parole and travels to Mexico, eventually reuniting with Andy in Zihuatanejo on the Pacific coast. Both of them are elated and hug each other when they meet at the coast.

你要的经典台词：（附翻译）

Civilized,Strategic.

讲文明，重策略。

Remember, Red, hope is good thing, mabye the best of things. And no good thing ever dies.

Red，记住，希望是件美丽的东西，也许是最好的东西。美好的东西是永远不会死的。

Andy Dufresne: Here’s where it makes the most sense. You need it so you don"t foget. Foget that there are palce in the world that aren’t made out of stone That there’s a---there’s a---there’s something inside that’s yours, that they can’t touch.

安迪.杜德兰:这就是意义所在。你需要它，就好像自己不要忘记。忘记世上还有不是用石 头围起来的地方。忘记自己的内心还有你自己的东西，他们碰不到的东西。

I have no idea to this day what those two Italian ladies were singing about. Truth is, I don’t want to know. Some things are better left unsaid.

到今天我还不知道那两个意大利娘们在唱些什么，其实，我也不想知道。有 些东西还是留着不说为妙。

I’d like to think they were singing about somethings so beautiful,it can" t expressed in words,and it makes your heart ache because of it.I tell you, those voices soared higher and farther than anybody in a great place dares to dream. It was as if some beautiful bird had flapped into our drab little cage and made these walls dissolve away, and for the briefest of moments, every last man in Shawshank felt free.

我想她们该是在唱一些非常美妙动人的故事，美妙得难以用言语来表达，美妙的让你心痛。告诉你吧，这些声音直插云霄，飞得比任何一个人敢想的梦还要遥远。就像一些美丽的鸟儿扑扇着翅膀来到我们褐色牢笼，让那些墙壁消失得无影无踪。就在那一刹那，肖申克监狱的每一个人都感到了自由。

That’s the beauty of music. They can’t take that away from you.

这就是音乐的美丽。他们无法把这种美丽从你那里夺去

I have to remind myself that some birds don’t mean to be caged . Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up. DOES rejoice. Still, the place you live in is that much more drab and empty that they’re gone. I guess I just miss my friend.

我得经常同自己说，有些鸟儿是关不住的。他们的羽毛太鲜亮了。当它们飞走的时候，你心底里知道把他们关起来是一种罪恶，你会因此而振奋。不过，他们一走,你住的地方也就更加灰暗空虚。我觉得我真是怀念我的朋友。

Fear can hold you prisoner. Hope can set you free

恐惧让你沦为囚犯。希望让你重获自由

it takes a strong man to save himself, and a great man to save another

坚强的人只能救赎自己，伟大的人才能拯救他人

Remember, Hope is a good thing, maybe the best of things and no good thing ever dies!

记着，希望是件好东西，没准儿是件最好的东西，而且从没有一样好东西会消逝！

给分吧～～找的好幸苦的～！

电影《肖申克的救赎》大家怎么看这部电影？

第一次看《肖申克的救赎》时我才十三岁，那时候还太年轻，还不懂什么叫“三姐妹”，还不理解什么叫“体制化”，更不明白老布在离开监狱后为什么要自杀。那时候的安迪在我心目中就是一个英雄，更准确的说是一个“悲剧英雄”，因为他在蒙受十九年不白之冤后，终于越狱了。

时隔好几年再次看这部史诗般的巨作后，我开始渐渐明白体制化对人性的改变，体会到老布最后自杀的迫不得已和无奈。当瑞德说着“希望是一个危险的东西”时，我的心不禁跟着也颤抖了一下，那种绝望与无奈让我对当时的自己有着一种莫名的怜悯和悲哀。

那时候的《肖申克的救赎》于我来说就是黑夜中前进的一盏明灯，安迪是我为自己打鸡血的偶像，他是希望、信念、执着的象征，我一直用“希望是个好东西”来鼓励着自己，不要轻易说放弃，要像安迪一样永不放弃。

当时，从自身的成长角度看，这部电影给我提供了助力，除此之外，再无其他。

最近我再一次重温这部经典电影，不再有亢奋抑或是悲伤的体验，我一直在想一个问题：在肖申克这座监狱里，一个银行副总裁的安迪，一个蒙受不白之冤十九年的安迪，一个最终变成太平洋小岛上船主的安迪，这一段人生旅程，是他的救赎之路，那么，他到底救赎了什么？

对于肖申克监狱的狱友来说，对于安迪的好友瑞德来说，包括被枪杀的汤米，安迪的所有行为，让他们体会到在厚重石墙外的一丝丝自由。可以在屋顶上喝着啤酒干着活，可以在广场上听到莫扎特的《费加罗的婚礼》，可以在图书馆听汉克威廉姆斯的经典唱片，可以在“老师”的教导下进行识字考试，这些时刻都让他们重温着作为一个社会人的自由身份。

对于肖申克监狱来说，因为有了安迪，“三姐妹”被以恶制恶了，监狱里有了音乐和图书馆，典狱长等人的丑恶脸面被揭下，监狱里变得干净了一些。

我起初觉得，这是肖申克的救赎，在监狱里，安迪完成了对其他人，对监狱的救赎。

但转念一想，这样的救赎也太过表面，生活环境发生了改变，但人的内心深处呢？真的也变化了吗？除此之外，对于安迪他自身而言，救赎又在哪里呢？

还记得电影中有这样一个片段：汤米被杀，安迪被关禁闭两个月后，在石墙边跟瑞德的对话中，提及了自己对妻子的爱和悔意，他说：

“老婆说她很难了解我，我像一本合起来的书，她整天这样抱怨。她很漂亮，该死，我是多么爱她啊。我只是不擅表达。对，是我杀了她，枪不是我开的，但我害她离我远去，是我的脾气害死了她。”

瑞德安慰说“你不是杀人犯，你或许不是个好丈夫而已”，安迪接着说，“没错，是别人干的，却由我受罚，大概是我命薄。谁都可能遇到霉运，刚好轮到我，我被卷入龙卷风，只是没想到刮了这么久。我告诉你我要去哪里，芝华塔尼欧，在墨西哥，太平洋边的小地方，那是没有回忆的海洋，我要在那里度过余生。在海边，开一个小旅馆，买条破船，整修一新，载客出海。人反正只有两个选择，要么忙着死，要么忙着活”。

这个段落，过去我看过很多遍，一直觉得这是安迪决定越狱前的某种仪式，他交代了很多事情，跟老友告别，他觉得19年的赎罪足够了，决定要亲自改变命运。

但是现在，我不这么看了，我觉得那一番对话，代表着安迪对自己的救赎。他的救赎不是生命形式的改变，也不是生存环境的改变，而是灵魂层面真正意义上的自我重新认知。

在肖申克监狱的19年时间里，安迪的执念有两个，一是自己是无罪的，二是生活必须是有希望的。倘若汤米不被枪杀，而是帮助安迪翻盘，无罪释放的安迪回到社会，他是不是会重新拾起过去的身份。

然而，汤米被杀，安迪在瑞德面前的那一长段的自白，是他对自己过往生活的重新理解，他推翻了自己过去的形象，直面自己和妻子之间的问题，接受在这件凶杀案里，他所承担的那部分责任。

在自身遭受了巨大磨难的前提下，他看到的是自己的责任，没有推卸给任何人，这是多么了不起的反思。我是感觉，从这一刻开始，安迪救赎了自己灵魂，找到了他自己。

这个时候，我跟自己说，安迪不应该仅仅是一个励志英雄，不应该仅仅是众多狱友的救赎者，他是肖申克监狱中，一个真正自己救赎了自己灵魂的人，一个让内心那么多强烈冲突最终得到和解，让生命归于平静的人。

这是他完全不同于其他人的地方，也是“救赎”真正体现的地方。

人不是一定要接受命运的安排，也不是一定要反抗命运的安排，而是在命运发生的当下，看清楚自己的本色，明白自己为什么处在命运这个关口下。唯有把自己看明白了，才会在“命运”的面前，做出属于自己的最合适的选择。

其实人生的结局，哪有好坏对错，当一个船夫，或者当一个银行家，都不过是命运呈现的不同模式罢了。真正重要的应该是，成为船夫或者银行家，是自己心甘情愿下的选择。

人生也没有实现不了的美好之说，每个人内心深处都有自己关于美好的独特定义，真的顺应内心做了选择，终究会达到那个终点。

可惜的是，我们大多数人都用别人对于美好的定义，来设定自己的人生。那些时刻伴随自己的内心冲突，无不在提醒着我们“当下的选择是有问题的”，我们一边抗拒去面对这个冲突，用各种方式来试图合理化“内心冲突感”，另一边用意志力的方式强迫自己带着冲突继续往前走。

最重要的是，人活着要有目标，有个念想！

为什么《肖申克的救赎》是一部人生必看的电影？

这是一条漫长的道路，从黑暗通往光明，从束缚通往自由，从绝望通往希望，从无尽的痛苦通往永恒的快乐，这就是人生。

《肖申克的救赎》是能够直击你的灵魂的电影，不在于他的众多的经典台词，不在于他完美的拍摄手法，而是仅仅作为一个故事，一个虚构却又真实的故事，一个简单到不能再简单的故事，但是它却能令你在黑暗中痛哭流涕，在绝望中奋起直追，在失败后勇敢站起。是的，人生就是这样，总是一个痛苦接着一个痛苦，一个麻烦接着一个麻烦，但是那又如何，地球几十亿年的演变终于诞生了人类，一颗屹立于地球文明之颠的物种，它最神奇的地方是具有思考的能力，面对痛苦，我们不再如其他动物一样只知道逃避，我们拥有选择的能力，选择快乐的接受痛苦，在遭受命运不公的待遇之后，经过一段时间的沉寂，安迪选择了接受，为了对抗命运的不公，在之后的日子里他又选择了站在命运的对手席上，你不是要让我痛苦吗，不是要戏弄我吗，好啊，那就让我们看看谁是最后的赢家。

为了逃脱命运的枷锁，安迪制订了一个几十年的计划，其中包含的巨大的耐心，坚韧的意志，精准的执行，乐观的精神都非常人所能及，监狱是命运的化身，安迪是人类的代表，监狱虽随时想要吞噬安迪，但是安迪总能通过各种办法逃过监狱的魔爪，并进而一步步走出有利于自己的棋面，毋庸置疑的，胜出者是安迪，也是人类，在几十亿年的生存大战中，我们的祖先们不就是像安迪一样次次险象环生，次次有惊无险，最终走进了科学，走出了蒙昧，最终也将走出一个人类美好的明天。